Costume Designs 2, ЧС Sergey Sergeyevich Solomko (1867-1928)

The drawing presents a figure in what appears to be a theatrical costume design. The subject is rendered in a straightforward, illustrative style, suggesting its primary function as a preparatory sketch for production. A female form stands centrally within the composition, posed in a three-quarter view that allows for a clear depiction of the garment’s construction and drape.
The dress itself is characterized by a flowing, almost ethereal quality. The upper portion features a low neckline and delicate sleeves, seemingly constructed from a light, possibly sheer fabric. A sash or belt, rendered in vibrant greens and yellows, cinches the waist, providing contrast against the muted blue-grey of the gown’s main body. The skirt falls loosely to the ankles, hinting at movement and fluidity. A small, decorative headdress adorns the head, further emphasizing a sense of theatricality and perhaps suggesting a specific cultural or historical context for the character.
The artist has employed a limited palette, primarily consisting of muted earth tones – beige, grey-blue, and touches of green and yellow – which contribute to an overall feeling of understated elegance. The use of watercolor allows for subtle gradations in tone, creating a sense of depth and texture within the fabric. Lines are generally clean and precise, though some areas exhibit a looser, more gestural quality, particularly in the rendering of folds and drapery.
Subtly, the drawing conveys an impression of idealized beauty and grace. The figure’s posture is poised, her expression serene. This suggests that the costume is intended to enhance these qualities, perhaps portraying a character of nobility or exceptional charm. The designs simplicity also implies a focus on the performance itself rather than elaborate ornamentation; the costume serves as a vehicle for the actors portrayal.
The handwritten notations at the bottom and right edges of the sheet indicate that this is likely part of a larger series, possibly documenting various costume options or iterations. These markings provide insight into the design process, revealing the artist’s considerations regarding fabric, color, and fit. The circular number 9 in the lower right corner further reinforces its status as one element within a collection.