Design by male medieval costume Sergey Sergeyevich Solomko (1867-1928)

The drawing presents a figure in what appears to be a theatrical design for male attire inspired by medieval aesthetics. The subject is depicted in a dynamic pose, one leg raised as if mid-step, suggesting movement and perhaps a performance context. He faces slightly towards the viewer’s left, his extended arm adding to the sense of action.
The costume itself is elaborate. A close-fitting tunic, rendered in pale blue with intricate patterns that suggest embroidery or decorative stitching, covers the torso. The sleeves are short and puffed, contributing to an air of stylized elegance rather than historical accuracy. Over this, a layered skirt or underskirt extends to the ankles, its folds indicated by quick, expressive brushstrokes. A helmet, adorned with what looks like a small finial or ornament, sits atop his head, further emphasizing the theatrical nature of the design. The face is rendered with delicate features and a somewhat idealized appearance, typical of costume designs intended for stage presentation.
The artist’s technique involves a combination of watercolor washes and pen detailing. The background is left largely unpainted, allowing the focus to remain entirely on the figure and his attire. Subtle shading around the legs and torso creates a sense of volume and depth. The use of light colors contributes to an overall impression of lightness and grace.
Beyond the surface depiction of costume design, subtexts emerge concerning notions of masculinity and performance. The idealized physique and theatrical pose suggest a constructed identity, one that is performative rather than inherently masculine in a traditional sense. The medieval inspiration, while visually appealing, likely serves to evoke a romanticized past – a period often associated with chivalry and heroic ideals – which the costume design then reinterprets for a contemporary audience. The presence of the number XXI in the upper right corner suggests this is part of a larger collection or series, hinting at a systematic exploration of historical costume themes. Ultimately, the drawing functions not as a literal representation of medieval clothing but as an artistic interpretation intended to inspire and inform theatrical production.