Costume Designs 4, ЧС Sergey Sergeyevich Solomko (1867-1928)

The drawing presents two figures in costume, rendered with a focus on color and texture. The composition is straightforward: one figure stands squarely facing the viewer, while the other adopts a more dynamic pose, arm raised as if gesturing or blessing. Both are depicted from the waist up, emphasizing their attire and facial features.
The figure on the left wears an elaborate, long-sleeved coat of vibrant orange and red hues, patterned with geometric motifs that suggest a specific cultural origin. A tall, cylindrical hat, similarly decorated, sits atop his head. He holds a staff or scepter in his right hand, indicating authority or status. His expression is somewhat stern, perhaps conveying wisdom or solemnity. The artist has paid close attention to the rendering of facial hair and the details of the coat’s fabric.
The figure on the right is clad in simple white robes, belted at the waist with a darker band. A small cap adorns his head, and he possesses a long beard and flowing hair. His posture conveys an air of supplication or perhaps divine inspiration; the raised arm could be interpreted as offering something to the viewer or invoking a higher power. The simplicity of his costume contrasts sharply with the ornate attire of the other figure, potentially establishing a visual hierarchy or highlighting differing roles.
The color palette is dominated by warm tones – reds, oranges, yellows – which contribute to a sense of richness and vibrancy. The use of white for one figure provides a stark contrast, drawing attention to their distinct character. The artist’s technique appears to be watercolor or gouache on paper, with visible brushstrokes adding texture and depth.
Subtextually, the pairing of these figures suggests a narrative tension or thematic opposition. One might interpret them as representing opposing forces – perhaps secular power versus spiritual authority, or tradition against innovation. The differing levels of ornamentation could symbolize social status or moral standing. Without further context, however, these interpretations remain speculative; the drawing functions primarily as a design study, intended to communicate visual ideas rather than tell a complete story. The handwritten notations alongside each figure likely provide crucial information about their respective roles within a larger theatrical production.