Konstantin Andreevich Somov – Arable land
1900.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The arable land itself occupies the middle ground. It’s delineated into distinct furrows, their parallel lines creating a strong sense of order and human intervention within the natural landscape. The earth tones – ochre, brown, and reddish hues – suggest recently tilled soil, perhaps awaiting planting or having just yielded a harvest. These colors are muted, conveying a feeling of quietude rather than vibrancy.
Beyond the fields, a gentle rise in terrain is visible, marked by more trees and vegetation, which gradually merge with the horizon. The sky above is washed out, lacking distinct cloud formations; its pale tone contributes to the overall subdued atmosphere.
The artist’s brushwork appears loose and impressionistic, prioritizing an evocation of mood over precise detail. Theres a deliberate lack of sharp lines or defined edges, which softens the scene and lends it a dreamlike quality. The light seems diffuse, lacking strong contrasts, further reinforcing this sense of tranquility.
Subtly, the painting explores themes of human labor and its impact on the environment. The meticulously ordered fields stand in stark contrast to the wildness of the surrounding foliage, highlighting the tension between nature and cultivation. It’s not a celebratory depiction of agricultural abundance; rather, it seems to contemplate the quiet persistence of work and the subtle alterations humans impose upon the land. The subdued palette and hazy atmosphere suggest a reflective mood – a contemplation on the cyclical nature of seasons, labor, and the enduring relationship between humanity and the earth.