Konstantin Andreevich Somov – Greedy monkey
1929.
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Behind this tableau, a framed portrait hangs on the wall, depicting figures in classical garb, hinting at established social hierarchies or artistic traditions. Heavy drapes flank the window, partially obscuring the view beyond and creating a sense of enclosure within the room.
The focal point of the work is a monkey seated upon an ornate stool. The animal’s posture conveys a mixture of gluttony and mischievousness; it appears to be actively consuming a banana while holding a small plate in its other hand, seemingly collecting discarded pieces of fruit. Its expression suggests both delight and a lack of decorum.
The presence of the monkey introduces an element of social commentary. The animal’s unrestrained enjoyment of the feast contrasts sharply with the implied formality and refinement associated with the setting. It can be interpreted as a satirical representation of human greed or a critique of societal excess, where the boundaries between civilized behavior and primal instinct become blurred.
The figure observing the monkey from behind the window is also significant. Dressed in what appears to be formal attire – a white cap and dark clothing – this individual seems both amused and slightly disapproving of the monkey’s antics. This adds another layer to the narrative, suggesting a commentary on observation, judgment, and the complexities of social roles.
The overall effect is one of unsettling juxtaposition – the beauty and abundance of the setting are undermined by the disruptive presence of the animal, prompting reflection on themes of desire, control, and the inherent contradictions within human nature.