Bookplate S.P. Zenger Konstantin Andreevich Somov (1869-1939)

The drawing presents a reclining female figure within a rectangular frame, rendered in stark black and white. The composition is dominated by the womans posture; she rests languidly on an ornate chaise lounge, her body angled towards the viewer. Her left arm extends upwards, holding what appears to be a small book or tablet, while her right hand rests gently on her thigh. A decorative fan is held in her raised hand.
The style suggests a woodcut or engraving technique, characterized by precise lines and a lack of tonal gradation. The detailing on the chaise lounge – its curved legs, scrolled arms, and intricate backrest – is meticulously rendered, contrasting with the more simplified depiction of the figure’s anatomy. Her face is in profile, exhibiting an expression that appears serene yet somewhat detached.
Below the image, Cyrillic script provides a textual element, likely identifying the work or its subject. The arrangement of the text at the bottom suggests it functions as a label or inscription related to the depicted scene.
Subtexts within this drawing potentially revolve around themes of leisure, intellectual pursuits, and perhaps even aristocratic refinement. The woman’s relaxed posture on an elaborate piece of furniture implies privilege and comfort. Her engagement with a book or tablet hints at a cultivated mind and a dedication to learning. The fan, a common accessory in historical depictions, reinforces the images association with elegance and social grace.
The stark contrast between light and shadow contributes to a sense of formality and timelessness, suggesting that this is not merely a portrait but an allegorical representation of certain ideals or values associated with literacy and status. The overall effect is one of quiet dignity and understated sophistication.