Averoldi Polyptych – Resurrection, Saints Nazarius and Celsus with Altobello Averoldi, Saint Sebastian and Annunciation Titian (Tiziano Vecellio) (1488/90-1576)

The composition presents a complex arrangement of six distinct panels, likely intended as part of a larger altarpiece. The visual narrative unfolds across these sections, each contributing to a broader theological theme centered on resurrection and divine intervention.
In the upper left corner, an angel appears in profile, bathed in shadow. The figure’s gaze is directed upwards, towards an unseen source of light or revelation. A banner bearing Latin inscription trails behind, suggesting a proclamation or message delivered by this celestial messenger.
Adjacent to the angel, dominating the central panel, stands a depiction of Christs resurrection. He emerges from a tomb, his body rendered with considerable anatomical detail and muscularity. The artist has employed dramatic lighting to highlight Christ’s form against a turbulent sky, emphasizing the miraculous nature of the event. A white banner is held aloft, further signifying triumph and victory over death.
To the right of this central scene, the Virgin Mary is portrayed in a moment of quiet contemplation. She holds a book or scroll, her expression conveying both sorrow and acceptance. The rich red fabric of her garment contrasts with the muted tones of the background, drawing attention to her figure as an embodiment of maternal piety.
The lower left panel depicts a scene of martyrdom. A young man is shown being confronted by a stern-faced authority figure, while another individual stands ready with a weapon. The composition conveys a sense of impending violence and sacrifice, likely referencing a local saint or martyr whose story is integral to the altarpiece’s purpose.
The central lower panel portrays a figure emerging from a rocky landscape. He appears to be an older man, dressed in elaborate attire, possibly representing a patron or benefactor associated with the commission of the work. The inclusion of this individual suggests a deliberate connection between earthly power and divine grace.
Finally, on the rightmost panel, a male figure is shown bound and pierced by arrows. His posture conveys both suffering and resilience. A small stone tablet rests near his feet, possibly referencing a biblical narrative or symbolic element related to his martyrdom. The overall effect is one of poignant vulnerability and unwavering faith.

The arrangement of these panels suggests a carefully considered theological program. The angel’s announcement leads into the central event of resurrection, which is then framed by the Virgin Marys sorrowful acceptance and the depiction of earthly figures involved in acts of devotion or sacrifice. The use of light and shadow, along with the detailed rendering of human anatomy, contributes to the overall sense of drama and emotional intensity within this complex visual narrative.