Venus Blindfolding Cupid Titian (Tiziano Vecellio) (1488/90-1576)
Titian – Venus Blindfolding Cupid
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Painter: Titian (Tiziano Vecellio)
Location: Borghese gallery, Rome (Galleria Borghese).
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During some of his later periods, the artist Titian, who lived from about 1488 to 1576, was literally obsessed. His main obsession was to create paintings that were full of drama. And, in the artist’s own opinion, Christian subjects were the best suited for this purpose. At the same time, he was still attracted to antiquity in any, even the most vivid and audacious manifestations. In his character and paintings, the artist wholeheartedly shared and upheld the belief and conviction of the Neoplatonists that the best, purest and pristine beauty will always be and exalt man.
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Description of Titian’s painting Venus Tying Cupid’s Eyes
During some of his later periods, the artist Titian, who lived from about 1488 to 1576, was literally obsessed. His main obsession was to create paintings that were full of drama. And, in the artist’s own opinion, Christian subjects were the best suited for this purpose. At the same time, he was still attracted to antiquity in any, even the most vivid and audacious manifestations.
In his character and paintings, the artist wholeheartedly shared and upheld the belief and conviction of the Neoplatonists that the best, purest and pristine beauty will always be and exalt man. This means that for the artist, beauty always had a religious meaning.
That is why the painting and the Venus on it, who blindfolds Cupid, is not a mere play or interpretation of the author’s fantasies on a mythological theme. The picture is known throughout the world under several titles.
Venus is blindfolding Cupid, and the nymph standing nearby is giving Cupid a bow. This was a hint to him to let out his arrows further at random rather than at his own discretion.
Above all in this picture the girls attract attention. They are beautiful, charming, and in their own way inaccessible to either humans or Cupid himself. They have classic facial features, bright golden skin, and in every curve of their bodies you can see soft gestures. Rounding out their beauty is their silky hair.
Venus, who laces her eyes, is full of the dignity and serenity that is inherent in her. And the warmth that exudes from her body and tranquility is further emphasized by the fact that Cupid has his shoulder tucked into her. This gesture of Cupid is compared by many to the gesture of an infant snuggling up to its mother. Therefore, the beauty of the painting acquires a life-giving, maternal beginning. Therefore, from the outside, some time after viewing, it seems that this painting breathes and fills everything around it with love.
COMMENTS: 1 Ответы
Во-первых, непонятно, почему амуров два (насколько помню, ребёнок у Венеры был единственный), а во-вторых, как бедный мальчик обходился с луком, который в половину больше размером, чем сам стрелок. Может, именно поэтому их двое, так тетиву натягивать удобней.
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In this painting, a scene of playful seduction and nascent power unfolds. At the center, a beautifully adorned woman, embodying Venus, is in the act of blindfolding a young Cupid. Cupid, a cherubic putto with small wings, reclines or kneels before her, his back to the viewer, as she gently ties a band around his eyes. His quiver, full of arrows, lies near him, some arrows spilling out.
To the right, two female attendants flank Cupid. One, emerging from behind, holds Cupids bow, aiming it towards Venus. Her expression is intent, as if participating in the game. The other attendant, positioned next to Cupid, appears to be holding his quiver and supporting him. Her gaze is directed towards Venus, her face serene. In the background, a lush landscape with mountains under a dramatic sky provides a backdrop to this mythological tableau.
The subtexts of this painting revolve around control, passion, and the sometimes unpredictable nature of love. By blindfolding Cupid, Jesus suggests that Venus is attempting to control his power – the power to make people fall in love. However, the fact that Cupid is still armed and being assisted by attendants implies that his influence, and the passions he ignites, are not entirely subject to control. The aimed bow, even if playfully gestured, hints at the ever-present potential for loves arrow to strike unexpectedly, even Venus herself.
The presence of the attendants and the detailed depiction of their costumes and jewelry suggest luxury and the divine status of the figures. The overall atmosphere is one of sensual beauty and allegorical depth, inviting contemplation on the complex dynamics of love and desire.