Count Olivares Diego Rodriguez De Silva y Velazquez (1599-1660)
Diego Rodriguez De Silva y Velazquez – Count Olivares
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Painter: Diego Rodriguez De Silva y Velazquez
Location: Hermitage, St. Petersburg (Эрмитаж).
Velázquez’s range of interests was surprisingly wide: genre scenes, historical and religious themes, and mythological subjects. All styles of painting the artist tried, until he settled on portraits. In the manner of writing in the early period, the influence of Caravaggio is clearly visible. However, rather quickly the artist crystallized his own style, well recognized by connoisseurs. But the ability to discern behind the external grandeur of self-interest and human vices remained. A sense of harmony, subtlety and richness of color inherent in any of the master’s paintings.
Description of the painting "Portrait of Count Olivares" by Diego Velázquez
Velázquez’s range of interests was surprisingly wide: genre scenes, historical and religious themes, and mythological subjects. All styles of painting the artist tried, until he settled on portraits. In the manner of writing in the early period, the influence of Caravaggio is clearly visible. However, rather quickly the artist crystallized his own style, well recognized by connoisseurs. But the ability to discern behind the external grandeur of self-interest and human vices remained.
A sense of harmony, subtlety and richness of color inherent in any of the master’s paintings. Deep insight into the character of the model, hidden desires and carefully concealed weaknesses allowed the artist to create stunningly truthful paintings.
The artist accomplished what he set out to do - to fill with life the schemes of ceremonial portraits. Working for a long time at the court of Philip IV, the master became famous and many nobles sought to order him a portrait, so that there was no shortage of models.
In the portrait of Count Olivares, the artist fully embodied his aspirations - he breathed life into the faces of ceremonial portraits. The Count is depicted in deliberately modest clothing - black with a white collar. Against a dark background, with dark hair and beard, he could have dissolved. But his puffy face and strikingly lively eyes would not allow it. In them hides the steely gleam of a calculating politician.
The serene expression on his face cannot hide the dictator’s brushiness. The portrait was painted at the peak of Olivares’ fame and influence, but the artist managed to reveal the inner essence and show the hidden vices of the nobleman.
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актера в фильме "Капитан Алатристе" очень похожего подобрали.
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Here we see a man of considerable age, evidenced by the lines etched around his eyes and mouth, and the graying that subtly permeates his thick, neatly trimmed beard and mustache. His hair, similarly darkened with age, is styled in a manner characteristic of the period – voluminous and carefully arranged. The artist has rendered the texture of the hair with meticulous detail, suggesting an emphasis on both naturalism and controlled presentation.
The man’s clothing contributes significantly to his overall impression of authority. He wears a dark garment, likely velvet or a similar luxurious fabric, that drapes heavily around him. The collar is stiff and starched, a hallmark of formal attire in the 17th century. Subtle highlights on the fabric suggest an awareness of its material qualities, adding depth and richness to the depiction. A small emblem, possibly indicative of his rank or allegiance, is visible on the chest of his garment.
The lighting within the painting is carefully orchestrated. It illuminates the face and upper torso, highlighting the man’s features while leaving much of the background in shadow. This chiaroscuro effect enhances the sense of drama and creates a three-dimensional quality to the figure. The light also emphasizes the texture of his skin, revealing subtle imperfections that contribute to a feeling of realism.
Beyond the straightforward representation of a portrait, subtexts emerge from the details presented. The man’s direct gaze suggests confidence and perhaps even a degree of scrutiny – he seems to be assessing the viewer as much as being assessed himself. His age implies experience and wisdom, while his formal attire signifies social standing and power. The darkness surrounding him could symbolize the weight of responsibility or the complexities of his position. Overall, the painting conveys an impression of a man who is both powerful and burdened, a figure of authority grappling with the demands of his station.