Charles-Joseph Natoire – Louise-Anne de Bourbon, Mlle de Charolais (1695-1758), in a monk’s robe, holding the chord of St. Francis Château de Versailles

Here we observe a portrait depicting a young woman in what appears to be a monastic habit. She is positioned before a small writing desk, her gaze directed towards the viewer with a composed and somewhat melancholic expression. The dark brown robe contrasts sharply with her pale complexion and the delicate floral adornment woven into her hair. In her hands, she holds a length of rope, seemingly knotted or braided – an object that immediately evokes associations with Saint Francis of Assisi and his commitment to poverty and service.
The setting is carefully constructed to suggest both seclusion and connection to nature. A dense landscape unfolds behind the figure, featuring lush foliage and glimpses of architectural elements hinting at a secluded garden or retreat. The light source appears to originate from the left, illuminating her face and highlighting the folds of her garment while casting the background into a softer focus.
The writing desk itself is laden with symbolic objects. A small cup and saucer sit beside several books, suggesting intellectual pursuits and perhaps a contemplative life. A sheet of paper lies on the surface, hinting at correspondence or personal reflections. The presence of a cat curled up near her feet adds an element of domesticity and tenderness to the scene, softening the austerity implied by the monastic attire.
The subtexts within this work are layered and complex. The choice of dress is particularly significant; it suggests a deliberate rejection of worldly status and a voluntary embrace of a life dedicated to spiritual devotion. However, her youthful appearance and delicate features imply that this decision may not be entirely free or uncomplicated. The rope held by the woman functions as a visual key, linking her identity to Saint Francis’s renunciation of material possessions and his commitment to simplicity.
The juxtaposition of these elements – the monastic garb, the symbols of learning and contemplation, the domestic comfort of the cat, and the verdant landscape – creates an intriguing tension between piety and personal desire, duty and individual expression. The portrait seems to explore themes of sacrifice, identity, and the complexities of choosing a path that deviates from societal expectations. It is likely intended as a visual meditation on faith, renunciation, and the internal struggles inherent in pursuing a life dedicated to spiritual ideals.