Charles Beaubrun, Henri Beaubrun the Younger – Anne de Rohan-Chabot, Princess de Soubise, Dame du Palais of Queen Marie-Thérèse Château de Versailles

The portrait presents a woman in three-quarter view against a stark, dark background. She is positioned centrally within the frame, commanding immediate attention. The composition adheres to conventions of formal portraiture, emphasizing status and dignity.
Here we see a subject with fair skin, rendered with meticulous detail regarding texture and light. Her complexion appears smooth, though subtle indications of age are present around the eyes and mouth. A delicate blush highlights her cheeks, suggesting vitality while maintaining an air of refinement. The lips are painted in a muted rose tone, conveying composure rather than overt sensuality.
The woman’s hair is styled in elaborate curls that cascade down her shoulders, framing her face. This hairstyle, characteristic of the period, contributes to the overall impression of luxury and social standing. A pearl necklace adorns her neck, a clear symbol of wealth and prestige. The dress itself is noteworthy; its muted green hue is accented by intricate embroidery around the neckline and sleeves, showcasing skilled craftsmanship. The fabric appears rich and heavy, draping elegantly over her form. The sleeves are lined with blue silk, adding a touch of color and visual interest to the otherwise restrained palette.
Her hands are clasped gently in front of her, a gesture that conveys modesty and restraint. Her gaze is directed towards the viewer, establishing a direct connection while maintaining an aloofness appropriate for someone of her station. The inscription at the top identifies her title and lineage, reinforcing her position within the aristocracy.
Subtleties within the painting suggest layers of meaning beyond mere representation. The dark background serves to isolate the subject, emphasizing her individuality and importance. The careful rendering of textures – the sheen of pearls, the softness of skin, the weight of fabric – underscores a concern with materiality and status. While the overall impression is one of serenity and composure, there’s a certain melancholy in her expression that hints at complexities beyond the surface. The muted color scheme, while indicative of fashionable tastes, also contributes to a sense of quiet dignity rather than exuberant display. The portrait functions not only as an individual likeness but also as a visual declaration of social identity and lineage within a hierarchical society.