Château de Versailles – Jean-Baptiste André Gautier-Dagoty -- Marie Antionette in Court Clothes with her Hand on a Globe
1775, 160х128
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To her left rests a globe upon a table draped in crimson cloth. Her hand gently touches its surface, a gesture that could be interpreted as signifying dominion or knowledge of the world. Adjacent to the table stands an easel displaying what appears to be a partially obscured sculpture – possibly representing a classical figure, bathed in light emanating from an unseen source.
The background is dominated by heavy red draperies, which frame the scene and contribute to the overall sense of grandeur and confinement. The lighting is theatrical, highlighting the woman’s face and attire while casting portions of the room into shadow. This creates a dramatic effect that emphasizes her status and importance.
Subtlety permeates the work. The globes presence suggests an awareness of global power and influence, potentially alluding to colonial ambitions or trade networks. The classical sculpture hints at a connection to antiquity and established cultural ideals – reinforcing notions of legitimacy and refined taste. The elaborate clothing and setting are not merely decorative; they function as visual markers of social rank and authority. The woman’s somewhat detached demeanor might be read as an indication of the formality expected within courtly settings, or perhaps even a subtle distancing from the viewer, emphasizing her elevated position. Overall, the painting conveys a message of power, refinement, and control, carefully constructed through symbolic objects and formal arrangements.