Jean Alaux – Hugh Capet proclaimed king by the elders of the Realm in May of 987 ; Charlemagne crowns his son Louis the Pious Emperor in 813 [lower] * Château de Versailles

The composition presents two distinct historical scenes framed within elaborate oval borders and set against a dark blue background, all encased in a gilded decorative structure. The upper scene depicts what appears to be a formal proclamation or enthronement. A central figure, presumably the newly appointed ruler, stands slightly elevated amidst a throng of onlookers. He is clad in red robes, signifying authority and status, while surrounding him are men in various garments, some appearing to offer support or witness the event. The architecture suggests an urban setting, with arches and buildings forming a backdrop to the proceedings. A sense of solemnity and officialdom permeates this upper portion.
Below, we observe another ceremonial occasion, seemingly taking place within a grand hall. Here, a man in regal attire is bestowing a crown upon another figure seated on a raised platform. The scene is populated by numerous individuals, including clergy and nobility, all arranged to emphasize the importance of the moment. Rich fabrics – reds, purples, and golds – dominate the color palette, reinforcing the impression of opulence and imperial power. A palpable sense of reverence and tradition fills this lower panel.
The juxtaposition of these two scenes immediately suggests a narrative about succession and legitimacy. The upper scene portrays the establishment of a new dynasty, while the lower illustrates the continuation of an existing one through hereditary transfer. The deliberate placement of inscriptions identifying the events – the proclamation of Hugh Capet and Charlemagne’s coronation of his son – provides explicit context for understanding these historical moments.
Subtly, the arrangement implies a comparison between the two reigns. The upper scene, with its more modest setting and less elaborate display of power, might be interpreted as representing the nascent stages of a new kingdom. Conversely, the lower scene showcases the established grandeur and authority of an empire already steeped in tradition. This contrast could subtly comment on the evolution of French monarchy or explore themes of continuity versus change within dynastic rule. The framing devices – the oval borders and gilded ornamentation – further elevate the scenes, imbuing them with a sense of historical significance and reinforcing their symbolic weight.