Vincent van Gogh – The Baby Marcelle Roulin
1888. 35x24
Location: Metropolitan Museum of Arts, New York.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The baby is swathed in white fabric, which appears both as a bonnet covering the head and as clothing enveloping the body. The artist has rendered these textiles with thick impasto, giving them a palpable weight and volume. Light plays across the folds of the cloth, creating highlights that suggest softness and fragility.
The child’s face is characterized by large, intensely blue eyes which are directed towards the viewer. This direct gaze establishes an immediate connection, inviting contemplation. The mouth is small and slightly parted, conveying a sense of innocence or perhaps nascent curiosity. The skin tone is rendered with subtle variations in color, avoiding a flat or uniform appearance.
The artist has included a detail – a gold bracelet on one wrist and a ring on a finger – which introduces an element of unexpected luxury into the otherwise simple depiction. This inclusion could be interpreted as a symbolic gesture, perhaps representing hope for the child’s future prosperity or acknowledging the familys social standing. Alternatively, it might simply serve to highlight the preciousness of childhood.
The overall effect is one of profound tenderness and quiet observation. The limited palette – primarily whites, greens, and touches of pink and gold – contributes to a sense of intimacy and restraint. There’s an underlying feeling of vulnerability conveyed through the childs direct gaze and the enveloping nature of the white fabric. The painting seems less about capturing a likeness and more about conveying a feeling – a moment of quiet contemplation centered on the fragility and potential inherent in new life.