Vincent van Gogh – View of Montmartre with Windmills
1886. 36.0 x 61.0 cm.
Location: Kröller-Müller Museum, Otterlo.
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The focal point of the composition is undoubtedly the cluster of windmills situated on an elevated ridge in the middle ground. Three prominent windmills are visible, their sails angled as if caught by a prevailing wind. These structures stand out against the sky, drawing the eye upward and contributing to a sense of openness within the scene. The placement of these mills suggests they were once integral to the area’s economy, perhaps for grain processing or other industrial purposes.
The color palette is muted, employing earthy tones – ochres, browns, and grays – that contribute to an overall feeling of melancholy and quietude. Light appears diffused, lacking strong contrasts, which softens the edges of forms and creates a hazy atmosphere. The sky itself is rendered in pale blues and whites, suggesting either early morning or late afternoon light.
Beyond the immediate visual elements, the painting seems to convey subtexts related to change and obsolescence. The presence of windmills, once vital but now seemingly abandoned, hints at an era passing. The modest dwellings suggest a community facing economic hardship or displacement. Theres a sense that this landscape is on the cusp of transformation – perhaps from rural agricultural land to something else entirely.
The artist’s brushwork appears loose and expressive, prioritizing atmosphere over precise detail. This technique lends a certain immediacy to the scene, as if capturing a fleeting moment in time. The composition evokes a feeling of nostalgia for a disappearing way of life, while simultaneously acknowledging the inevitable march of progress.