John William Waterhouse – A song of springtime
1913, 71х92
Location: Private Collection
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Surrounding the woman are several diminutive figures – presumably cherubs or sprites – engaged in playful activities amongst a profusion of wildflowers and blossoming trees. Some appear to be gathering flowers, while others seem absorbed in their own games, creating a dynamic sense of movement and joy within the scene. Their nudity reinforces the impression of innocence and connection with nature.
The landscape itself is rendered with considerable detail. A body of water stretches into the distance, framed by rocky outcroppings and distant hills shrouded in a hazy atmosphere. The trees are laden with blossoms, their pink hues echoing the tones found in the woman’s sash and contributing to the overall feeling of springtime renewal. Light plays an important role; it illuminates the central figure and highlights the vibrant colors of the flowers, creating a sense of warmth and optimism.
Subtly, the painting explores themes of fertility, abundance, and the cyclical nature of life. The female figure could be interpreted as a personification of spring or a muse inspiring creativity and joy. Her gesture with the flowers suggests an offering – perhaps to the viewer, or to the natural world itself. The cherubic figures emphasize the purity and carefree spirit associated with youth and the burgeoning season. The landscape’s vastness hints at the boundless potential inherent in new beginnings. Overall, the work evokes a sense of harmony between humanity and nature, celebrating the beauty and promise of springtime.