Type Vico, near Naples in 1855 95h142, 5 Ivan Konstantinovich Aivazovsky (1817-1900)

The composition presents a coastal scene bathed in the ethereal glow of moonlight. A dark foreground dominates much of the canvas, receding into shadow and obscuring details of the terrain. To the left, a rocky promontory rises sharply, crowned by what appears to be an isolated tower or fortification – a stark vertical element against the horizontal expanse of the landscape. Figures are discernible on this elevated point, though their activities remain ambiguous due to the dim lighting.
The central focus is drawn towards the water and the luminous orb suspended in the sky. The moon’s reflection shimmers across the surface of the sea, creating a path of light that leads the eye toward distant cliffs and landmasses. These geological formations are rendered with a muted palette, their outlines softened by atmospheric perspective, suggesting considerable distance. A small boat is visible on the waters edge, occupied by two figures who appear to be observing the moonlit scene. Another sailboat, further out at sea, catches the moonlight as well.
The color scheme is predominantly cool – greens and blues – with warm oranges and yellows emanating from the moon and its reflection. This contrast creates a sense of drama and mystery. The overall effect is one of quiet contemplation and solitude.
Subtly, the presence of the tower hints at a history of defense or surveillance, perhaps suggesting themes of isolation, vigilance, or even melancholy. The smallness of the human figures in relation to the vast landscape emphasizes their insignificance within the grand scheme of nature. The moon itself, a recurring symbol across cultures, could represent cycles, change, and the passage of time. The painting evokes a mood of romanticism – a yearning for the sublime and an appreciation for the beauty found in darkness and solitude.