Saved in strength
XIX
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The throne itself forms a significant element of the work. It’s constructed from intersecting red and black fields, creating a cruciform shape that dominates the visual space. This geometric arrangement evokes symbolic associations with sacrifice, redemption, and divine authority. Emerging from beneath the base of the throne are depictions of winged creatures – likely seraphim – further reinforcing the celestial nature of the scene. Their presence suggests an environment beyond earthly confines, a realm of spiritual power.
The figure’s garments are rendered in flowing folds, employing gold leaf to suggest richness and luminosity. This technique is common in Byzantine art, intended to convey the otherworldly splendor associated with divine beings. The face exhibits a solemn expression, conveying both authority and compassion.
In the upper register, smaller figures appear within halos, seemingly engaged in acts of worship or reverence towards the central figure. These secondary figures contribute to the hierarchical structure inherent in iconographic representation, emphasizing the centrality and supremacy of the seated individual.
The overall effect is one of solemn grandeur and spiritual authority. The artist employed a restricted palette – primarily gold, red, black, and white – to create an atmosphere of austerity and reverence. The composition’s formality and stylized rendering are indicative of its function as a devotional object intended to inspire contemplation and faith.