The tablet is double-sided. Menaion of October Orthodox Icons

Here we observe a densely populated composition arranged in three horizontal tiers. The overall effect is one of solemnity and hierarchical order, typical of Byzantine iconographic traditions. Figures are presented frontally, with limited spatial depth; the background is uniformly gold, emphasizing their spiritual nature rather than earthly location.
The uppermost tier features a group of figures seemingly emerging from an architectural setting – a building with arched windows and a suggestion of a dome. These individuals appear to be engaged in some form of ceremonial activity, though the specifics are difficult to discern due to the crowded arrangement. The central figure in this section is distinguished by their elaborate vestments and raised hands, suggesting a position of authority or prayerful intercession.
The middle tier presents a procession of figures, predominantly male, clad in varying shades of red and brown robes. Their expressions are serious, almost impassive, contributing to the painting’s overall gravity. A central column is visible between some of the figures, possibly indicating a division within the group or marking a symbolic boundary.
The lowest tier mirrors the composition of the middle section, with another procession of similarly attired individuals. The presence of a halo around one figure in this row suggests their identification as a saint or holy personage. The repetition across tiers creates a sense of continuity and reinforces the idea of an ongoing spiritual journey or celebration.
The color palette is dominated by warm tones – reds, browns, golds – which contribute to the painting’s richness and visual impact. The gold background serves not only as a symbolic representation of divine light but also unifies the composition, preventing it from appearing fragmented despite the multitude of figures.
Subtly, theres an interplay between individual identity and collective belonging. While each figure is distinct in appearance, they are all integrated into the larger group, emphasizing their shared faith and purpose. The lack of individualized emotional expression further reinforces this sense of communal devotion. The meticulous detail given to the rendering of garments – the folds, textures, and colors – suggests a reverence for tradition and an attention to material beauty as a reflection of spiritual values.