St. Nicholas of Mozhaisky with life
ок.1600
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The surrounding vignettes depict episodes from the life of this individual. These scenes are presented within architectural settings – typically stylized depictions of churches or buildings – and populated by figures whose actions are suggested through gestures and poses. One scene shows what appears to be a healing event, with a figure lying prone while others attend to them. Another portrays a procession or gathering of people before a structure that resembles a fortified gate. The details within these smaller scenes are somewhat compressed, relying on symbolic representation rather than realistic depiction.
The color palette is dominated by reds, greens, and golds, characteristic of Byzantine iconographic traditions. The use of gold leaf highlights the sacred nature of the figures and architectural elements, creating an aura of divine light. The application of paint appears to be layered, with visible brushstrokes contributing to a textured surface. This technique lends a sense of immediacy and craftsmanship to the work.
Beyond the literal depiction of events, the painting conveys themes of faith, compassion, and divine intervention. The arrangement of scenes suggests a structured narrative intended to instruct viewers about the life and virtues of the central figure. The architectural settings imply a connection between earthly existence and the realm of the sacred. The overall effect is one of reverence and devotion, designed to inspire contemplation and piety in the viewer.