Nativity of the Virgin
XVI
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a seated woman, draped in flowing robes of pale blue-green, positioned prominently on the dais. Her posture suggests both dignity and maternal tenderness as she gazes towards a small child nestled within a haloed enclosure at the lower right. The infant’s face is turned slightly away from the viewer, contributing to an air of solemnity rather than direct engagement.
Two male figures flank the central woman. One, clad in dark brown robes, appears to be offering her a vessel – perhaps a bowl or chalice – held aloft with both hands. This gesture could symbolize sustenance, blessing, or divine provision. The other man, seated on an elevated area and wearing a darker robe, seems to observe the scene with a contemplative expression. A golden halo surrounds his head, indicating his spiritual significance.
The background is defined by stylized architectural forms – a series of towers and buildings rendered in simplified shapes. These structures create a sense of depth while maintaining a flattened perspective characteristic of Byzantine iconography. Above the figures, an inscription in Cyrillic script runs along the top edge, likely providing textual context for the depicted event.
The overall effect is one of formality and reverence. The rigid poses, symmetrical arrangement, and limited color range contribute to a sense of timelessness and spiritual distance. The artist’s focus appears less on naturalistic representation and more on conveying symbolic meaning through carefully orchestrated gestures and spatial relationships. The scene seems to depict an important moment – likely a birth or dedication – within a community setting, emphasizing the sacred nature of the event and the individuals involved.