Pskov school. St. Boris and Gleb Orthodox Icons

The composition presents two figures mounted on horseback against a gold background, typical of Byzantine and Russian iconographic traditions. The central focus is drawn to the pair of riders, who are depicted in profile, facing towards the right side of the frame. They appear as young men, clad in elaborate armor and headwear suggesting high status or military significance. Their expressions are solemn, almost impassive, contributing to a sense of restrained dignity.
The horses themselves are rendered with considerable detail; their musculature is visible, and they seem poised for movement, though the overall effect is one of controlled power rather than frenzied action. The color palette is dominated by reds, golds, and browns, creating a warm, somewhat muted tone. The red garments worn by the riders stand out against the gold background, drawing attention to their presence.
Above the main figures, within an inset rectangular field, appears a smaller depiction of another figure, presumably a saint, holding what seems to be a scroll or book. This secondary image is less detailed and serves as a visual link to a higher spiritual realm. The landscape at the base of the composition is simplified, appearing as a series of rocky outcrops rendered in earthy tones.
The painting’s subtexts likely revolve around themes of martyrdom, rulership, and divine sanction. The pairing of the two figures on horseback suggests unity or partnership, possibly representing co-rulers or companions who faced adversity together. Their armor implies military prowess and potentially a role in conflict. The gold background reinforces their elevated status, hinting at a connection to the divine order. The presence of the saint above could signify heavenly protection or justification for their actions.
The restrained emotional expression and formal composition suggest an emphasis on spiritual significance over individual personality. It is likely intended not as a portrait but as a symbolic representation of virtues or historical events within a religious context.