Icon of the Mother of God of the Sign
ок.1650
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The child held within her arms mirrors her posture, also facing forward with a similar expression of serenity. A halo encircles the child’s head, signifying his divine nature. The woman too is surrounded by a luminous halo, emphasizing her elevated status.
The artist employed a limited palette dominated by earthy tones – ochre, brown, and gold – which contribute to the paintings overall sense of reverence and antiquity. The background is a uniform golden hue, typical for this type of devotional art, serving to isolate the figures and direct attention towards them. The surface exhibits signs of age and wear; flaking paint reveals underlying layers, hinting at the work’s history and repeated veneration over time.
Beyond the straightforward depiction of motherhood, the painting conveys a sense of protection and guidance. The womans outstretched hands suggest an offering or blessing bestowed upon those who behold her image. The child held within her arms seems to be presented as a sign, perhaps a symbol of hope or salvation. The composition’s formality and symmetry reinforce its function as a sacred object intended for contemplation and prayer. It is likely meant to evoke feelings of piety and reverence in the viewer, encouraging a connection with the divine through the representation of maternal love and spiritual authority.