Icon of the Mother of God Feodorovskaya
XVII
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s face is characterized by large, dark eyes directed towards the viewer, conveying an expression of gentle compassion and serenity. Her features are rendered in a stylized manner, typical of devotional art, emphasizing spiritual significance over realistic representation. She wears a simple garment with intricate detailing around the neckline and sleeves, executed in muted earth tones that contrast subtly with her darker hair. The infant is nestled close to her chest, his gaze mirroring hers, suggesting a profound connection and shared divinity. His body is partially exposed, revealing delicate limbs and a small halo encircling his head.
The artist employed a limited palette of colors – primarily browns, ochres, golds, and blacks – which reinforces the painting’s austere and contemplative nature. The use of gold leaf not only enhances the figures luminosity but also symbolizes divine light and transcendence.
Subtly, there is an emphasis on maternal protection and nurturing. The way the woman cradles the infant suggests a profound sense of care and responsibility. The direct gaze established with the viewer invites contemplation about themes of faith, motherhood, and divine grace. The cracks in the gold background are not merely signs of deterioration; they can be interpreted as visual metaphors for the passage of time and the enduring nature of spiritual beliefs across generations. The overall effect is one of quiet dignity and profound religious significance.