Triptych Feasts – Epiphany, Entry of the Lord into Jerusalem and Transfiguration of the Lord Orthodox Icons

The triptych presents three distinct yet interconnected scenes, unified by a shared palette and stylistic conventions characteristic of Byzantine iconography. The overall effect is one of solemnity and spiritual intensity.
On the left panel, we observe a baptismal scene. A figure, presumably John the Baptist, stands in water, gesturing towards another central figure who appears to be undergoing ritual purification. Surrounding them are several onlookers, their faces rendered with varying degrees of emotion – some appear reverent, others curious. The landscape is suggested through simplified forms and muted greens, creating a sense of enclosure and focus on the spiritual event unfolding. A subtle golden glow emanates from behind the central figure, hinting at divine presence.
The central panel depicts a procession or entry into a city. A man rides atop an animal, flanked by numerous individuals who appear to be both participants and observers. The composition is crowded, with figures layered upon one another, creating a sense of movement and collective celebration. Garments are rendered in rich reds and blues, contrasting with the darker tones of the surrounding environment. Facial expressions range from joyous enthusiasm to quiet contemplation, suggesting a complex emotional landscape within the crowd. Architectural elements – arches and doorways – frame the scene, emphasizing its ceremonial nature.
The right panel portrays an elevated event, set against a fiery backdrop. A central figure is suspended in mid-air, surrounded by radiating light. Below him are several figures prostrate in apparent worship or awe. The landscape here is more abstract than in the other panels, with swirling forms suggesting a realm beyond earthly comprehension. The color scheme is dominated by warm tones – oranges, reds, and yellows – which contribute to the scene’s sense of transcendence and divine power.
Throughout the triptych, the figures are characterized by elongated proportions and stylized features, typical of Byzantine artistic conventions. Their gazes are often directed upwards or outwards, conveying a sense of spiritual aspiration. The use of gold leaf highlights key elements within each panel, drawing the viewers attention to moments of divine revelation.
Subtly, there is an interplay between human action and divine intervention. Each scene depicts pivotal moments in a narrative sequence, yet the artist consistently emphasizes the presence of something beyond the immediate event – whether it be the purifying waters, the celebratory crowd, or the radiant light. This suggests a deeper theological message about faith, humility, and the transformative power of spiritual experience.