National Gallery of Art – William Blake - The Last Supper
1799. Tempera on canvas, 30.5 x 48.2 cm. William Blake (British, 1757 1827). Credit: Courtesy National Gallery of Art, Washington.
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The central figure’s luminosity is striking; it emanates outwards, illuminating the faces closest to him while casting the rest of the assembly into shadow. This light isnt gentle or diffused but rather a sharp, almost painful glare, suggesting a divine presence that is both powerful and potentially overwhelming. The figure wears flowing garments, adding to an impression of ethereal grace.
The surrounding individuals are rendered with considerable individuality. Their faces exhibit a range of ages and emotional states. Some appear to be looking directly at the central figure, while others avert their gaze or seem lost in thought. Theres a palpable sense of unease among them; it’s not a scene of serene fellowship but one charged with anticipation and perhaps foreboding.
The artist employed a limited palette, primarily consisting of dark browns, greens, and ochres, punctuated by the brilliant gold emanating from the central figure. This restricted color scheme enhances the dramatic effect and contributes to the overall somber mood. The brushwork is loose and expressive, lending a sense of immediacy and emotional intensity to the scene.
Beyond the literal depiction of a communal meal, subtexts emerge concerning faith, betrayal, and sacrifice. The varying reactions of the figures suggest an internal struggle with belief or perhaps a premonition of impending events. The stark contrast between light and shadow can be interpreted as representing the conflict between good and evil, knowledge and ignorance, or divine grace and human fallibility. The overall effect is one of profound spiritual significance, tinged with melancholy and uncertainty.