Kunsthistorisches Museum – Titian -- Christ and the Adultress
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 2 Ответы
“Кто без греха, тот первым бросит в неё камень. ”
И никто не сделал этого.
Кто-же бросит, если это средневековая приписка и такой истории не было?! К тому-же никто не простил бы прелюбодея, т. к. смертный грех.
You cannot comment Why?
Surrounding this central pair are several male figures, arranged in varying degrees of proximity. The men closest to Christ display expressions ranging from stern judgment to anxious curiosity. Their beards and clothing suggest a range of ages and social standings within the community. One man, positioned directly adjacent to Christ, gestures emphatically towards the woman, seemingly eager to present her case. Others observe with a mixture of apprehension and disapproval.
The woman at the center of the scene is depicted in a state of apparent submission. Her head is bowed, her eyes downcast, suggesting shame or contrition. She wears a white blouse, contrasted against the darker tones of the surrounding figures, which visually isolates her within the group dynamic. The artist has rendered her features with a delicate quality that contrasts with the rougher depictions of the men.
The background is indistinct, hinting at an architectural setting but lacking specific detail. A patch of sky visible through an opening suggests an outdoor location, yet the overall atmosphere remains enclosed and tense. Light falls unevenly across the scene, highlighting certain faces while leaving others in shadow, contributing to the dramatic intensity.
Subtleties within the painting suggest a complex narrative beyond the immediate depiction of judgment. The woman’s posture could be interpreted not only as shame but also as a plea for mercy or understanding. Christs ambiguous expression invites contemplation regarding his role – is he an arbiter of justice, or a figure offering compassion? The eagerness of some men to condemn contrasts with the hesitant observation of others, hinting at divisions within the community itself.
The artist’s use of light and shadow creates a palpable sense of psychological tension, emphasizing the weight of the moment and prompting reflection on themes of morality, forgiveness, and societal judgment.