Part 2 Louvre – Jacob Jordaens the Elder (1593-1678) -- The Child Jupiter Nursed by the Goat Amalthea
1630-35, 150х203
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Всегда удивлялся: зачем при наличии молодой здоровой женщины сосать козу?
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To the right, a satyr-like figure observes the scene. His posture is animated; he raises his arms in what appears to be either astonishment or approval. He stands near a basket overflowing with eggs, an element that introduces a symbolic layer – potentially referencing fertility, abundance, or even the myth of Leda and the Swan.
The artist employed a rich palette dominated by warm tones – reds, browns, and golds – which contribute to the overall sense of opulence and sensuality. The lighting is dramatic, highlighting the figures’ flesh tones while casting portions of the scene in shadow, adding depth and visual interest. A dense grove of trees forms a backdrop, partially obscuring the background and focusing attention on the central group.
The arrangement of the figures suggests a narrative unfolding; its not merely a static depiction but an event captured mid-action. The woman’s pose is both sensual and maternal, while the satyr’s presence introduces an element of wildness and perhaps even humor. The goat itself appears docile, almost complicit in this unusual act of nurturing.
Subtly, the painting explores themes of divine origins, transformation, and the blurring of boundaries between human and animal nature. The eggs within the basket could be interpreted as symbols of potential – the promise of future generations or the unfolding of a grand destiny. Ultimately, the work invites contemplation on the complexities of mythology and its enduring power to represent fundamental aspects of the human condition.