Part 1 Louvre – Jacob Jordaens the Elder -- Last Judgment
1653, 391х300
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Картина написана со стороны, а сам художник находится ровно посередине. Получается, он себя относит к тем, кто "ни богу свечка, ни чёрту кочерга".
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At the apex of the painting, Christ is enthroned amidst a celestial realm, surrounded by angels and the Virgin Mary. Below Him, the saved are being guided towards paradise, depicted as ascending figures. On the left and right sides, the masses of humanity are shown in various states of resurrection and judgment, with some reaching for salvation and others succumbing to despair.
The lower part of the painting illustrates the torments of Hell, where demons are shown dragging souls into fiery depths. The figures are rendered with powerful musculature and dynamic poses, conveying a sense of intense emotion and struggle. The overall palette is characterized by a dramatic contrast between light and shadow, further emphasizing the theme of divine judgment and the eternal fate of souls.
The subtexts of the painting lie in its exploration of fundamental theological concepts, including divine justice, redemption, and the consequences of sin. It serves as a visual sermon, urging viewers to contemplate their own salvation and to live a righteous life in anticipation of the ultimate judgment. The painting also reflects the Baroque periods fascination with dramatic narratives, heightened emotions, and the sublime power of the divine.