National Gallery of Art – Filippino Lippi - Tobias and the Angel
C. 1475/1480. Oil and tempera on panel, painted surface: 32.7 x 23.5 cm. Filippino Lippi (Italian, 1457 1504). Credit: Courtesy National Gallery of Art, Washington.
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The accompanying figure, clearly identified as an angel through its halo and ethereal appearance, stands slightly ahead. The angel’s posture is one of gentle guidance; the hand extended towards the young man indicates direction or perhaps protection. The drapery of the angels robes is rendered with a remarkable attention to detail, creating a sense of flowing movement and volume that enhances their otherworldly quality. A small animal, likely a lamb, accompanies them on the ground, adding another layer of symbolic meaning – innocence, sacrifice, or divine providence are all possibilities.
The background establishes a detailed landscape setting. Trees, rendered with meticulous foliage, frame the scene, while a body of water and distant architecture suggest a journey through varied terrain. The use of atmospheric perspective – the softening of details in the distance – creates depth and reinforces the sense that this event is taking place within a larger world.
Subtleties within the painting invite further consideration. The young man’s gaze, directed beyond the angel, implies an awareness of a task or destiny awaiting him. The angels expression conveys a mixture of serenity and perhaps a hint of solemnity, suggesting the weight of responsibility inherent in their role. The overall effect is one of quiet drama – a moment suspended between earthly journey and divine intervention. The color palette, dominated by blues, reds, and greens, contributes to the painting’s harmonious yet emotionally resonant atmosphere.