National Gallery of Art – Pietro Perugino - Portrait of Lorenzo di Credi
1488. Oil on panel transferred to canvas, original panel: 44 x 30.5 cm. Pietro Perugino (Italian, c. 1450 1523). Credit: Courtesy National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed a restrained palette dominated by somber tones – blacks, browns, and muted greens – which lend the work a sense of solemnity and dignity. The lighting is soft and diffused, illuminating the man’s face evenly while allowing subtle gradations in tone to define his features. This technique enhances the realism of the portrayal and contributes to an air of quiet introspection.
The landscape behind him is rendered with careful attention to detail, yet it remains subordinate to the figure. Distant hills and a glimpse of what appears to be a fortified structure suggest a connection to a specific place or lineage, hinting at social standing and perhaps even political involvement. The inclusion of this background isn’t merely decorative; it provides context for the subjects identity and situates him within a broader cultural sphere.
The man’s expression is complex – a mixture of seriousness and melancholy. It suggests an individual burdened by thought or responsibility, yet possessing a certain inner strength. This ambiguity invites speculation about his character and experiences. The pose itself, with its slight turn of the head and direct gaze, establishes a connection between the subject and the viewer, fostering a sense of intimacy despite the formality of the portrait.
The overall effect is one of restrained elegance and psychological depth. It’s not merely a likeness but an attempt to convey something about the mans inner life – his intellect, his character, and his place in the world.