National Gallery of Art – Thomas Moran - Green River Cliffs, Wyoming
1881. Oil on canvas, 63.5 x 157.5 cm. Thomas Moran (American, 1837 1926). Credit: Courtesy National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
In the foreground, a group of figures on horseback traverses the terrain. Their presence is small in scale compared to the landscape, emphasizing humanity’s insignificance within this grand natural setting. The riders are arranged somewhat loosely, suggesting movement and purpose – perhaps exploration or surveying. A solitary horse stands slightly apart from the group, adding a note of quiet observation.
The artist employed a muted palette, primarily utilizing earth tones – browns, ochres, and grays – to depict the land. These colors contribute to a feeling of dryness and aridity. The sky is rendered with delicate brushstrokes, capturing the subtle gradations of light as the sun descends. A soft atmospheric haze softens the distant features, enhancing the sense of depth and scale.
Subtly embedded within this depiction are implications about westward expansion and the encounter between civilization and wilderness. The presence of the riders suggests a human claim on the land, an assertion of dominion over nature. However, the sheer magnitude of the landscape dwarfs them, hinting at the challenges and limitations inherent in such endeavors. The painting evokes a sense of awe and wonder, but also a quiet melancholy – a recognition of the transience of human presence against the backdrop of geological permanence. It is not merely a representation of scenery; it’s an exploration of humanitys relationship with the untamed West.