Studio of Marcus Gheeraerts, the Younger – Robert Devereux, 2nd Earl of Essex National Gallery of Art (Washington)

The portrait presents a man in a relaxed, almost informal pose, defying the rigid conventions often associated with official depictions of nobility during this period. He stands turned slightly towards the viewer, his weight shifted onto one hip, and one hand casually resting on his belt while the other grasps a sword hilt. This posture conveys an impression of confidence and ease, suggesting a man accustomed to authority and comfortable in his own skin.
The sitter’s attire is significant. He wears a heavily embroidered jerkin over what appears to be padded undersleeves, indicative of wealth and military preparedness. A broad lace collar frames his face, a fashionable detail that underscores his status. The presence of a sash bearing an elaborate pendant suggests membership in an order of chivalry, further emphasizing his noble standing and martial prowess.
The background is deliberately simple: a flat, blue expanse devoid of any landscape or architectural elements. This starkness directs the viewer’s attention entirely to the figure himself, amplifying his importance and isolating him from any contextualizing details. The limited color palette – primarily blues, whites, and flesh tones – contributes to a sense of restrained elegance.
A closer examination reveals subtle nuances in the sitters expression. While he maintains direct eye contact with the viewer, there is a hint of melancholy or introspection discernible around his eyes and mouth. This complexity prevents him from appearing merely as a symbol of power; it suggests an individual grappling with internal thoughts and emotions. The slight downward curve of his lips could be interpreted as resignation or perhaps even regret.
The sword he holds is not brandished aggressively, but rather held loosely, almost casually. It’s a subtle detail that speaks to a man who possesses the means of force but chooses restraint – at least in this representation. This gesture might imply a sense of weariness with conflict, or alternatively, a quiet confidence born from experience and mastery.
The overall effect is one of carefully constructed ambiguity. The portrait seems designed not only to celebrate the sitter’s status but also to hint at a more complex personality beneath the surface – a man who embodies both power and vulnerability, strength and introspection.