National Gallery of Art – James Millar - Lord Algernon Percy
C. 1777/1780. Oil on canvas, 91.8 x 71.5 cm. James Millar (British, c. 1740/1750 1805). Credit: Courtesy National Gallery of Art, Washington.
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Here we see a man dressed in fashionable attire of the period: a long-bodied coat in a muted green hue, dark breeches, and grey stockings culminating in buckled shoes. The coat’s detailing – the buttons and lapels – suggests careful tailoring and attention to detail, indicative of his social standing. He holds a walking stick casually in one hand, further reinforcing an image of leisure and ease. His powdered wig is neatly styled, adhering to the conventions of aristocratic appearance.
The background reveals a carefully constructed landscape. A body of water stretches into the distance, partially obscured by foliage, creating depth within the scene. The distant view hints at cultivated land and a sense of expansive property ownership. The artist has employed atmospheric perspective, softening the details in the background to enhance the illusion of space.
The choice of setting is significant. Positioning him against a tree suggests strength and rootedness, while the landscape itself implies access to rural estates and signifies wealth and influence. The relaxed posture – leaning casually against the tree – conveys an air of confidence and self-assurance. It’s not a pose of formality or subservience; rather, it communicates a sense of comfortable authority.
Subtly, the painting conveys messages about social status and personal character. The mans attire and surroundings speak to his position within the hierarchy of society. His direct gaze suggests an individual who is both aware of his standing and unconcerned with appearing overly deferential. The overall impression is one of a man secure in his place, enjoying the privileges afforded by his rank and fortune.