National Gallery of Art – Fragonard, Jean Honore - Love as Folly
1773-76. 56x46
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The figure holds aloft what appears to be a garland or wreath, its form blurred and indistinct, contributing to the overall sense of fleetingness and lightness. This object could symbolize celebration, victory, or perhaps even the ephemeral nature of pleasure.
Below the central figure, a dense thicket of foliage is suggested, rendered in muted greens and browns. It serves as a grounding element, anchoring the scene while simultaneously hinting at an overgrown, untamed natural setting. The brushwork here is looser, less defined than that used for the cherub, further emphasizing the contrast between the ethereal figure and the earthly realm.
Above, the sky occupies a significant portion of the canvas. It’s painted in varying shades of blue, creating a sense of depth and vastness. Three birds are visible within this expanse; their forms are sketched with quick, energetic strokes, adding to the feeling of movement and spontaneity. Their presence introduces an element of freedom and escape.
The oval format of the painting contributes to its decorative quality, suggesting it might have been intended for a salon or private chamber. The subtexts embedded in this work seem to revolve around themes of love, folly, and the fleeting nature of pleasure. The cherub’s precarious position and the scattered garland suggest that even joyous moments are often accompanied by instability and impermanence. The birds soaring above imply a desire for liberation from earthly constraints, while the dense foliage hints at the complexities and potential pitfalls of human experience. Overall, the painting conveys a sense of lightheartedness tinged with melancholy, characteristic of the Rococo aesthetic.