National Gallery of Art – John Martin - Joshua Commanding the Sun to Stand Still upon Gibeon
1816. Oil on canvas, 150 x 231 cm. John Martin (British, 1789 1854). Credit: Courtesy National Gallery of Art, Washington.
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The landscape itself is rendered with considerable detail, featuring rugged mountains, a winding river, and a distant fortified city that rises majestically from the terrain. The artist has employed a dramatic use of light and shadow to heighten the sense of spectacle. A vast curtain of darkness hangs over much of the scene, punctuated by intense beams of light emanating from an opening in the clouds. This creates a stark contrast between the illuminated areas and those shrouded in gloom, drawing attention to the central figure and the city beyond.
The positioning of the sun, partially obscured yet radiating brilliance through the cloud cover, is particularly significant. It appears suspended or halted in its trajectory, suggesting a moment of divine intervention or supernatural power. The scale of the landscape dwarfs the human figures, emphasizing their vulnerability and dependence on forces beyond their control.
Beyond the literal depiction of an event, the painting conveys themes of faith, power, and the relationship between humanity and the divine. The city’s imposing architecture hints at civilization and order, yet it is overshadowed by the raw power of nature and the potential for catastrophic upheaval. The central figures commanding posture implies a role as intermediary or conduit between the human realm and something greater.
The overall effect is one of awe-inspiring grandeur tinged with an underlying sense of foreboding. It speaks to humanity’s enduring fascination with moments of extraordinary occurrence, where the natural order seems suspended and the boundaries between the earthly and the celestial blur.