John Singleton Copley – Eleazer Tyng National Gallery of Art (Washington)

The portrait presents a seated gentleman in what appears to be a domestic interior. He occupies the central position within the composition, his posture relaxed yet dignified as he rests his hands upon his legs. The mans age is evident in the lines etched around his eyes and mouth; a subtle smile plays on his lips, suggesting an amiable disposition. His hair, entirely white, is styled with considerable volume, framing his face and contributing to an overall impression of established status.
The artist has employed a muted palette dominated by shades of grey, brown, and green. The gentleman’s attire – a dark coat over what seems to be a waistcoat – blends seamlessly with the background, drawing attention primarily to his face and hands. This deliberate use of tonal harmony creates a sense of quiet formality.
The setting itself is sparsely detailed. A section of wall is visible behind him, painted in a deep green hue that contrasts subtly with the warmer tones of the floor. The floorboards are rendered with a degree of realism, suggesting an interior of some refinement. The chair upon which he sits appears to be made of dark wood and its simple design reinforces the overall sense of understated elegance.
Subtleties within the painting hint at deeper meanings. The gentleman’s gaze is directed slightly off-center, creating a feeling that he is engaged in thought or observing something beyond the immediate frame. This invites speculation about his inner life and experiences. The placement of his hands – clasped loosely but deliberately – suggests composure and control.
The overall effect is one of restrained authority and quiet contemplation. It’s not a portrait intended to display overt power or wealth, but rather to convey an impression of character and intellect. The artist seems interested in capturing the essence of a man defined by his experience and position within society, rather than simply documenting his physical appearance.