National Gallery of Art – Domenico Veneziano - Saint Francis Receiving the Stigmata
C. 1445/1450. Tempera on panel, 27.5 x 30.5 cm. Domenico Veneziano (Italian, c. 1410 1461). Credit: Courtesy National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The landscape itself contributes significantly to the overall meaning. The mountains, depicted with a subtle pinkish hue, suggest both grandeur and remoteness, emphasizing the isolation of the spiritual experience being portrayed. A verdant meadow stretches before the figures, punctuated by patches of darker foliage and a small, red object placed near the kneeling man’s feet. This detail introduces a note of potential symbolism – perhaps representing sacrifice or devotion. The sky is rendered in soft gradients of blue and grey, contributing to an atmosphere of solemnity and awe.
The positioning of the figures suggests a narrative tension. The kneeling figure embodies acceptance and surrender to divine will, while the other’s posture conveys pain and resistance. This duality hints at the complex nature of faith and suffering. The light source appears to originate from above, illuminating the kneeling mans face and hands, further emphasizing his receptiveness to the spiritual event.
The perspective is carefully constructed; it creates a sense of depth while maintaining a flattened quality characteristic of early Renaissance painting. This stylistic choice contributes to the scene’s symbolic weight, preventing it from appearing as a purely realistic depiction. The overall effect is one of profound spirituality and emotional intensity, conveyed through careful arrangement of figures within a meticulously rendered natural setting.