Part 5 Louvre – Sano di Pietro (1405-1481) -- Penitence of Saint Jerome
c.1444, 23х36
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The setting is dominated by undulating hills, rendered in earthy tones that suggest aridity and isolation. A dark opening, possibly representing a cave or grotto, looms behind the kneeling figure, adding to the sense of confinement and introspection. The vegetation present consists primarily of trees laden with fruit, their abundance contrasting sharply with the overall barrenness of the environment. Scattered across the ground are various creatures – insects, snakes, and what appear to be scorpions – which contribute to a feeling of unease and potential danger.
The artist employed a limited palette, relying on browns, greens, and ochres to establish a somber mood. The light source appears to originate from above, casting shadows that emphasize the figure’s form and highlighting the textures of his garments. A distant fortified structure is visible atop one of the hills, hinting at civilization but remaining detached from the immediate scene of penance.
Subtextually, the work explores themes of spiritual purification and atonement. The presence of the halo suggests a divine connection, while the act of kneeling implies submission to a higher power. The surrounding creatures likely symbolize temptations or trials that the figure must overcome in his quest for redemption. The fruit-bearing trees could represent both the rewards of faith and the potential for indulgence that requires constant vigilance. The landscape itself functions as a metaphorical representation of the inner turmoil experienced during spiritual transformation, where isolation and hardship are necessary components of growth. The distant fortress may symbolize worldly concerns or distractions from which the figure seeks to distance himself.