Leonid Solomatkin – Jewish peddler
1867.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a young girl standing in the threshold, her posture indicating a mixture of curiosity and perhaps slight apprehension. She is dressed in simple, practical clothing, indicative of a rural upbringing. Her gaze is directed towards the man, who leans forward, presenting an open box to her. The man’s age is emphasized by his weathered face, deeply etched wrinkles, and long beard – attributes that suggest a life lived outdoors and marked by hardship. He carries a green box, presumably containing goods he intends to sell. His posture conveys deference and a desire for acceptance.
The color palette is muted, dominated by earthy tones of brown, gray, and green, which contribute to the overall sense of austerity and realism. The red rug on the floor provides a small area of visual warmth and draws attention to the interaction taking place at the doorway.
Subtleties within the painting suggest deeper social commentary. The man’s presence in the home implies an intrusion into a private space, highlighting the itinerant nature of his trade and potentially alluding to economic disparities between rural communities and traveling merchants. The girls reaction – a hesitant curiosity rather than outright rejection – hints at a complex relationship between the settled population and those who rely on travel for their livelihood. There is a sense of vulnerability in both figures; the man’s dependence on the household’s patronage, and the girl’s position as a representative of her familys decision-making power regarding his trade. The painting seems to explore themes of poverty, rural life, and the social dynamics between different classes within a community.