Haymaking Pieter Brueghel The Elder (1525-1569)
Pieter Brueghel The Elder – Haymaking
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Painter: Pieter Brueghel The Elder
Location: National Gallery, Prague (Národní Galerie).
The painting "The Harvest," painted by the Dutch artist Peter Bruegel in 1565, is in the Metropolitan Museum of Art in New York City. Art historians attribute the painting to the "Seasons" series, which consists of several canvases painted by the author according to the twelve months. "Harvest" refers to the month of August, when the peasants go to the wheat field to gather the rich grain harvest. The author transports observers to a hot summer day of harvest, the reapers are hard at work with their sickles, they still have much work ahead of them.
Description of Peter Brueghel’s painting The Harvest
The painting "The Harvest," painted by the Dutch artist Peter Bruegel in 1565, is in the Metropolitan Museum of Art in New York City. Art historians attribute the painting to the "Seasons" series, which consists of several canvases painted by the author according to the twelve months. "Harvest" refers to the month of August, when the peasants go to the wheat field to gather the rich grain harvest.
The author transports observers to a hot summer day of harvest, the reapers are hard at work with their sickles, they still have much work ahead of them. We see several harvested sheaves that are neatly stacked near the trees, but the grass does not end. In front of them is a whole field of wheat that grows on a hill, a picturesque view from there. The farmers at work can look out over the distant expanse, washed by the gray-blue waves of the sea. The grass is so tall that even the peasants themselves can’t normally be seen in it at times. We can see indistinct silhouettes and parts of bodies curled up at work.
A most curious sight unfolds in the foreground. A group of peasants opens before our eyes. The toilers, weary from exhausting labor and the scorching sun, sit down to rest under an olive tree. Some are resting and eating lunch, while others are simply staring intently into the distance, admiring the nature from the hill. It is noticeable that everyone suffers from the unmerciful heat of the sun, some clever ones have stocked up on straw hats, while the rest have to expose their uncovered heads to the hot rays.
The artist painted the picture in light, even pastel, warm hues. We see many strokes of sandy, golden brown, greenish, linen, peach, saffron, and tangerine colors.
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To the right of the haymaking activities, a group of people are carrying baskets laden with produce. Some women are shown with baskets of fruit or flowers on their heads, and men are also participating. A figure on a white horse carries a woman who is also carrying a basket. In the middle ground, scattered farmhouses and a church with a red-tiled roof nestle among trees on rolling hills. In the background, a majestic, rocky mountain dominates the left side of the horizon, with a small structure or statue at its peak. Beyond that, the landscape recedes into hazy blue hills and a vast river or lake, suggesting a wide and expansive world.
The painting appears to be a representation of agricultural bounty and the labor associated with harvest time. The abundance of produce being carried suggests prosperity and the fruits of hard work. However, Haymaking is also part of Pieter Bruegel the Elders series of paintings depicting the months and seasons, and this particular work represents July. It is a continuation of the theme of human activities set against a grand natural backdrop, often with subtle allusions to the passage of time and the cyclical nature of life. The contrast between the earthy labor of the peasants and the grand, almost indifferent, landscape might suggest their place within a larger, divinely ordained order, or perhaps a commentary on the ephemeral nature of human endeavors. The elevated viewpoint throughout the painting allows the viewer to observe the intricate details of daily life within the scope of the vast natural world.