Paul Signac – Still Life
1883. 32x46
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist’s handling of color is notable; oranges glow with an almost internal luminescence, while the apples surface reflects both light and shadow through layered applications of pigment. The book’s muted tones contrast with the vibrancy of the fruit, creating a visual hierarchy that draws attention to the natural forms. The flowers in the vase introduce a vertical element, softening the horizontal emphasis of the other objects.
Beyond the purely descriptive, the arrangement suggests themes of domesticity and contemplation. The presence of the book, bearing a title hinting at astronomy or mythology (Selen likely referencing Selene, the Greek goddess of the moon), introduces an intellectual dimension to what might otherwise be a simple depiction of everyday life. It implies a moment of quiet reflection, perhaps interrupted by the visual pleasures offered by the fruit and flowers.
The loose brushwork contributes to a sense of immediacy and spontaneity. The objects are not meticulously rendered; instead, they appear as fleeting impressions, captured in a moment of observation. This technique lends the scene an air of intimacy, inviting the viewer into a private space where ordinary things become worthy of artistic consideration. The overall effect is one of understated beauty and quiet significance – a celebration of the mundane elevated through careful composition and expressive color.