Shayer Sr William The Start Of The Day William Shayer (1787-1879)

Here we observe a coastal scene imbued with a sense of nascent activity. The composition is dominated by a harbor or landing area, where several vessels are moored. These boats, rendered in varying degrees of detail, suggest a working port rather than a purely picturesque vista. Their sails are furled, hinting at the beginning of a workday.
A group of figures occupies the foreground. Three children, dressed in simple, somewhat worn clothing, appear to be engaged in some form of interaction – one holds a small bucket, while another seems to be gesturing towards the others. The presence of these children immediately introduces an element of domesticity and labor into the scene. A dog sits nearby, adding to the impression of everyday life unfolding.
To the right, additional figures are visible, seemingly involved in unloading or preparing goods for transport. Their postures suggest a routine, repetitive task. They are positioned near a wooden structure that could be part of a dock or warehouse. The arrangement of baskets and containers further reinforces this sense of industry.
The landscape itself is understated. A hazy horizon line suggests distance and the presence of land beyond the immediate harbor area. The light appears soft and diffused, contributing to an overall atmosphere of quietude rather than dramatic intensity.
Subtly, the painting conveys a narrative about the lives of those who depend on the sea for their livelihood. It is not a depiction of grand events or heroic deeds, but rather a glimpse into the ordinary rhythms of coastal existence. The children’s presence suggests the transmission of these traditions and skills across generations. The muted color palette and gentle lighting evoke a sense of nostalgia and perhaps even a quiet dignity in the face of hard work. There is an implicit commentary on the simplicity and resilience of rural or working-class life, presented without overt sentimentality.