Carl Blechen – Gorge near Amalfi
1831. 110.3x77
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Flanking the river are towering cliffs covered with lush vegetation – predominantly trees and shrubs rendered in varying shades of green. These verdant slopes ascend sharply, emphasizing the scale of the landscape and creating a feeling of enclosure. The artist has employed a technique that suggests both meticulous observation and an idealized rendering of nature; while details like individual leaves are absent, the overall impression is one of abundant life.
A stone bridge arches gracefully across the river at mid-ground, connecting the two sides of the gorge. A solitary figure, seemingly a traveler or shepherd, stands on the bridge, appearing small in comparison to the immensity of the surrounding landscape. This placement subtly introduces a human element into the scene, hinting at exploration and interaction with nature.
The upper portion of the painting reveals a distant view through the gorge, where the terrain opens up slightly, allowing glimpses of lighter sky and more subdued tones. A faint haze obscures details in this distance, contributing to a sense of depth and atmospheric perspective. The light source appears to be positioned above and behind the viewer, casting shadows that accentuate the texture of the rocks and foliage.
Subtly embedded within the composition are elements suggesting human intervention – the bridge itself being the most obvious example. However, these interventions do not detract from the overall impression of natural grandeur; instead, they serve as a quiet acknowledgement of humanitys presence within this powerful environment. The painting evokes themes of sublime beauty, the insignificance of humankind in comparison to nature’s power, and perhaps even a sense of romantic longing for an unspoiled wilderness.