Part 5 National Gallery UK – Luca Giordano - The Martyrdom of Saint Januarius
с1690
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A multitude of onlookers populate the scene. Some are actively involved in the event, appearing as executioners or tormentors, their faces contorted with exertion or malicious intent. Others seem to be witnesses, displaying a range of emotions from horror and grief to detached observation. A woman, positioned prominently at the lower center, raises her hands towards the heavens in what seems like a gesture of lamentation or supplication.
Above this earthly drama, an angelic figure descends from the sky. The angel’s posture is one of benediction; he appears to be offering solace or divine intervention. Light emanates from him, illuminating parts of the scene below and creating a stark contrast between the darkness enveloping the lower portion of the composition and the radiant upper area.
The artist employed a dynamic arrangement of figures, utilizing diagonal lines and varied levels of depth to create a sense of movement and chaos. The color palette is dominated by earthy tones – browns, ochres, and grays – punctuated by flashes of red in the clothing of some onlookers and the golden light emanating from the angel.
Beyond the literal depiction of suffering and martyrdom, the painting suggests themes of faith, sacrifice, and divine grace. The presence of the angel implies a spiritual dimension to the event, hinting at the possibility of redemption or heavenly reward for the saint’s ordeal. The varied reactions of the onlookers underscore the complex human response to violence and injustice – ranging from active participation to passive acceptance, and finally, empathetic sorrow. The dark framing around the central scene creates an impression of enclosure, emphasizing the isolation of the event and intensifying its emotional impact.