Leonid Afremov 30 Leonid Afremov (1955-)

The canvas presents a nocturnal cityscape viewed from across a body of water. The composition is dominated by vibrant, impasto brushstrokes that create a sense of energetic movement and visual texture. A cluster of buildings rises in the center, their architectural details somewhat obscured by the expressive application of paint; however, a central structure, likely a church or cathedral, asserts itself with its height and illuminated presence.
The color palette is intensely saturated, relying heavily on blues, yellows, oranges, and reds. These hues are not deployed realistically but rather to convey an emotional atmosphere – a feeling of warmth, excitement, and perhaps even a touch of melancholy. The light source appears to emanate from within the buildings themselves, casting reflections onto the waters surface that mirror the chaotic beauty above.
The artist’s technique emphasizes the subjective experience of seeing. The scene is not rendered with photographic accuracy but rather filtered through an emotional lens. This approach suggests a focus on capturing the feeling of being present in this place – the vibrancy of the nightlife, the allure of the architecture, and the tranquility of the water.
The reflections in the water are particularly noteworthy. They do not simply replicate the scene above; instead, they amplify its intensity, creating an almost dreamlike quality. The fragmented nature of the reflections further contributes to the sense of dynamism and visual complexity.
Subtly, theres a tension between the structured verticality of the buildings and the fluid, unrestrained brushwork that surrounds them. This contrast might suggest a dialogue between order and chaos, or perhaps an exploration of how human structures interact with the natural world – or at least, our perception of it. The overall effect is one of heightened sensory experience, inviting the viewer to immerse themselves in the scenes emotional resonance rather than its literal representation.