Leonid Afremov 126 Leonid Afremov (1955-)

The composition presents a nocturnal cityscape dominated by monumental architecture reflected in water. The artist has chosen a vibrant palette, employing thick impasto strokes that create a textured surface and a sense of dynamic energy throughout the scene.
Here we see a cluster of imposing buildings, their silhouettes sharply defined against a swirling sky. The central structure, characterized by its clock tower, commands attention through its height and placement within the frame. Surrounding it are lower, more sprawling structures, suggesting a complex urban environment. These architectural elements appear to be situated along a body of water, which mirrors the light and color of the sky above. A small boat is positioned in the foreground, adding scale and a sense of human presence to the vastness of the scene.
The sky itself is rendered as an explosion of color – blues, yellows, oranges, and purples intermingle in short, choppy strokes. This treatment suggests movement and perhaps even a feeling of exhilaration or awe. The light source appears to be both emanating from within the buildings themselves (creating warm highlights) and reflecting off the water’s surface.
The artists technique emphasizes emotional impact over precise representation. The simplification of forms and the expressive use of color contribute to an atmosphere that is less about photographic accuracy and more about conveying a feeling – perhaps one of wonder, excitement, or even a touch of melancholy associated with urban landscapes at night. The bold brushwork and intense colors evoke a sense of romanticism, imbuing the familiar cityscape with a dreamlike quality.
The subtext might explore themes of modernity, grandeur, and the interplay between human creation and natural phenomena. The boat in the foreground hints at travel and exploration, while the illuminated buildings symbolize progress and civilization. Overall, the painting conveys an impression of a vibrant, dynamic urban experience viewed through a lens of subjective emotion.