Vasily Kandinsky – Autumn landscape with boats
1908.
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мне очень нравится... светы подобраны очень хорошо и т.д.
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This painting, titled Autumn Landscape with Boats, presents a vibrant and expressive interpretation of a harbor scene. The artist employs bold, non-naturalistic colors to convey the atmosphere of autumn and the activity of the port.
In the foreground, two boats with brightly colored hulls dominate the right side of the canvas. One boat, rendered in striking shades of yellow and orange, is positioned diagonally, its form emphasized by thick brushstrokes. Lighter pink and purple accents suggest details within its structure. Adjacent to it, another boat, primarily blue, adds a darker contrast. The water surrounding these vessels is a deep, rich blue, dappled with reflections and patches of yellow and green, hinting at the interplay of light and shadow.
The middle ground depicts a small harbor with several smaller boats. A bright red boat sits centrally, a vivid splash against the darker water. Along the left bank of the harbor, a series of structures are depicted with strong geometric shapes and saturated colors, including oranges, reds, blues, and greens. These buildings appear to be docks or warehouses, their forms slightly abstracted.
In the background, a dark, silhouetted hillside rises, meeting a band of deep blue sky. The trees on the hillside are painted with a riot of autumn colors – vibrant yellows, oranges, reds, and even touches of pink, suggesting the changing foliage. The overall impression is one of energy and dynamism, rather than tranquil observation.
Subtexts:
The paintings subtexts lie in its departure from realistic representation and its emphasis on emotional expression. The exaggerated colors, particularly the bright yellows and oranges of the boats and trees against the deep blues and greens, evoke a sense of heightened sensory experience. This could be interpreted as the artists subjective response to the autumn season, imbuing it with a feeling of warmth and vitality, even as the traditional association with autumn is one of decay and fading.
The bold brushwork and simplified forms suggest a focus on the essence of the scene – the interplay of light, color, and form – rather than a literal depiction. This approach aligns with Fauvism or early Expressionism, where the artists inner feelings and perceptions are paramount. The lively colors could signify the enduring spirit of life and activity even as the season transitions. The presence of multiple boats, some appearing active and others potentially at rest, hints at the ongoing life and work of a harbor, a place of both transition and continuous movement. The intense, almost electric color choices might also suggest a spiritual or emotional resonance the artist found in this particular landscape.