Nicholas Chevalier – Sketch of a street in Peking
1869-70. w/c on paper
Location: Museum of New Zealand Te Papa Tongarewa, Wellington.
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A significant portion of the composition is dedicated to depicting human activity. A large crowd fills the street, composed of individuals in varied attire – some wearing traditional robes, others more contemporary clothing. The presence of horse-drawn carriages suggests a degree of wealth and social stratification within this community. Several figures are positioned on horseback, further reinforcing this hierarchy.
The artist’s use of color is notable. A warm palette dominates the scene, with ochres, yellows, and browns creating an atmosphere of vibrancy and activity. The application of paint appears loose and sketch-like, lending a sense of immediacy to the observation. Details are suggested rather than meticulously rendered, contributing to the impression of a fleeting moment captured on paper.
Subtly, there’s a tension between the grandeur of the architecture and the apparent chaos of the street life. The formal arrangement of buildings contrasts with the seemingly random distribution of people and vehicles. This juxtaposition might imply a commentary on the coexistence of tradition and modernity, or perhaps simply reflect the dynamic nature of urban existence. The inclusion of birds in flight above the scene adds a touch of lightness and freedom to an otherwise densely populated environment. Overall, the drawing conveys a sense of place – a vibrant, complex, and culturally rich locale.