Metropolitan Museum: part 1 – Jacob Jordaens - The Holy Family with Shepherds
Jacob Jordaens: Flemish, Antwerp 1593–1678 Antwerp 1616; Oil on canvas, transferred from wood; 42 x 30 in. (106.7 x 76.2 cm)
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Flanking this core group are two young men, their faces partially obscured in shadow but clearly observing the scene with an air of quiet contemplation. One holds what appears to be a small animal – perhaps a lamb or goat – further suggesting a pastoral setting and hinting at themes of sacrifice and innocence. The darkness that surrounds these figures serves to emphasize the luminosity emanating from the central group, drawing the viewers attention directly to them.
The artist’s use of light is particularly noteworthy; it isn’t merely functional but actively shapes the emotional tone. It creates a chiaroscuro effect, intensifying the contrast between illuminated areas and deep shadows, lending a dramatic quality to the scene. The soft focus and warm color palette contribute to an overall feeling of serenity and piety.
Beyond the immediate depiction of familial affection, subtexts relating to humility and divine grace are present. The simple setting – lacking any ostentatious display of wealth or power – underscores the idea that holiness can be found in everyday moments and within ordinary people. The inclusion of shepherds suggests a connection between the sacred and the common folk, reinforcing the notion that salvation is accessible to all, regardless of social standing. The candles themselves symbolize faith, hope, and enlightenment, illuminating not only the scene but also the spiritual path.